Cole Porter (1891-1964) – a peep

A peep indeed …  With the illustrious life of such a gifted man I can’t do more here.  He was one of the most talented song-writers in the history of American theatre.  There are still revivals of his music.  There has also been a memorable film about his life.  His music has, of course, long outlived the stage shows for which they were written.  He and his wife spent some years in Europe during the Jazz Age and this had an influence on his work.

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He is often praised for the sophistication of his lyrics.  It is difficult for me to comment on the music itself … there are the memorable melodies and as I play a song like I love Paris I can see the interesting and significant minor-major switch  –  it is as if the melody, beginning in solemn darkness, lifts its face into sunlight.  My partner, suffering from dementia, remembers little, but she can recall Night and Day.  It is now our song and this post is dedicated to you, Claudie. Night and day, you are the one …

Song writers search for lyrical ideas and You’re the Top must rank as one of the most interesting songs  –  a love song of praise and adoration as well as a time capsule of the age, using the well-known and admired icons of the 1930s:  You’re the Top.  You’re Mahatma Ghandi.  You’re the Top.  You’re Napoleon Brandy.  You’re the purple light of a summer night in Spain.  You’re the National Gallery.  You’re Garbo’s salary.  You’re cellophane.

He did not shy away from serious matters in his music.  Love for Sale, a song about a prostitute is heart-rending:  I’ve been through the mill of love, old love, new love, every love but true love.  The song Miss Otis regrets deals with a woman apologizing for not attending a luncheon date, because what happened during the night has put her on death row. 

Just one of those things is a song about unbearable lightness in the process of a love affair ending.  It is incisively bitter:  So good-bye, dear, and Amen.  Here’s hoping we meet now and then.  It was great fun.  But it was just one of those things. 

So we see the emergence not only of a good song writer, in my opinion, but of a great one.  He can also be witty and suggestive.  In Let’s do it, considered as risqué by some at the time, we hear Birds do it, bees do it, even educated fleas do it.  Let’s do it.  Let’s fall in love.

His is a rich and enduring gift.

©  Will

www.willwilltravel.wordpress.com

Bridgewater, Somerset West

May, 2022

Source: lyrics and image of Porter

Music & Lyrics by Cole Porter.  Random House, New York.

My photograph of the piano

 The piano at the Belles Rives Hotel in Juan Les Pins, south of France. Here Cole Porter visited other famous guests in the 1920s and 1930s. He probably played on this piano. I played on it myself.

Sidney Bechet

How do you heal after the worst war in history?  You find someone who makes music that you can climb into and disappear.  In 1949, that person in France was Sidney Bechet, the New Orleans-born and bred saxophonist (among other instruments).  He had returned to a Europe that he knew well, having first arrived with jazz bands in the mid-1920s, accompanied by celebrities such as the dancer Josephine Baker.  He was in the thick of les années folles, the crazy years, as the French call it.  He blew up a storm on his saxophone from Paris to Russia.

I was wandering around in the park in Juan Les Pins, in sight of the jazz arena where the annual jazz festival takes place, when I saw the statue of Sidney Bechet.  His memory is honoured as he was one of the chief figures to put the town on the jazz map with a festival that has become world famous.  I quote Michael Nelson’s appreciative words:

“In 1950 he (Bechet) went down to Juan-Les-Pins to play at the Riviera version of the Paris Vieux Colombier nightclub;  the beginning of a long love affair with Juan-Les-Pins, where he played every year until his death in 1959.  It was on the Riviera that he made his biggest impact when he married in Antibes a German, Elizabeth Ziegler.

“Thousands turned out  to cheer the wedding procession from the Place Nationale to the town hall in Antibes … Scores of doves were released as the couple left the town hall.  The procession of floats and jazz bands was half a mile long and included a 12-foot model of a soprano saxophone carried by two attendants.  Thirteen gallons of rum were dispensed to warm up the crowd.  So memorable was that wedding that Bechet’s statue has pride of place in Juan-Les-Pins.”

 

 

His style of playing has been called “emotional, reckless, and large” (Wikipedia).   He predated Louis Armstrong in solo saxophone playing, and made a mark on jazz that will not be erased.

Others who followed Sidney Bechet in making Juan-Les-Pins a world venue for jazz – Chick Corea;  Stéphane Grapelli

 

The Jazz Arena

 

©  Will

http://www.willwilltravel.wordpress.com

Les Semboules, Antibes

April, 2022

 

Source:  Michael Nelson:  The French Riviera A History.  Matador, 2017.

Photograph of Bechet – Wikipedia

My photographs, published by RotsWolk Publishers

 

A traffic circle in Juan-Les-Pins

 

Naïve art in South Korea

Second in a series of two

I am told that naïve artists are defined by their lack of formal training, an opinion I find limited.  In modernism there has always been the passionate search for the original, the primitive.  What of trained artists who choose to work in a naïve way?  Here are several more of Sui Ik Kim’s paintings done in the 1990s.

©  Will

www.willwilltravel.wordpress.com

Bridgewater, Somerset West

15.5  May, 2022

Naive art in South Korea

First in a series of two

I came across these paintings by Sui Ik Kim, done in the 1990s.  The themes, it seems to me, are traditional with the cow playing a role.  The images have charm and depth. There are also several mother-and-child images which always run the danger of being sentimental.  But I don’t find these paintings sentimental.  The broad brush strokes veer more to form than accurate appearance to which sentimentalism tends. 

© Will

www.willwilltravel.wordpress.com

Bridgewater, Somerset West

March, 2022

The images are taken from a calender

Viaduc de Millau

This cable-stayed bridge was planned in the late nineties and construction began in 2001. The first vehicle passed over it in 2004. The designers were Michel Virlogeux, engineer, and the architect was Norman Foster from England. Having a height of 336 m above the Tarn Valley in the south of France, it was ranked as the highest bridge of its kind in the world in 2020. It has been called “One of the greatest achievements of modern times”. For me it is also one of the most strikingly beautiful structures I have seen.

(c) Will

http://www.willwilltravel.wordpress.com

Les Semboules, Antibes / Bridgewater, Somerset West

May, 2022

Source

Wikipedia Viaduc de MIllau

Images

la-gtmc.com

leblogdesarah.com

yesnyou.com

france.fr